from bramilo.weblogs.com
Something I wanted to work on while I was in the Philippines in January-February 2001 was to reconnect with friends and comrades to explore possibilities for using Internet technologies for maintaining and building communities of interest (that, hopefully, make interesting art as well) online and offline. I felt I still belonged to these communities of interest even as I lived overseas and I saw the Internet as a way of not only promoting online CCD among community-based organisations (that I was connected with) in the Philippines but also as a way of keeping me involved with these communities and organisations, although virtually.
My interest in keeping my place in communities overseas is consistent with my view of communities of interest or intentional communities particularly in virtual environments as legitimate arenas for CCD. It also builds from my commitment to international cultural exchange as a way of fostering CCD in Australia, something I’ve done since I migrated to this country in 1986. The net facilitates and expands cultural exchange possibilities either to assist the planning and execution of real-world events or CCD projects in cyberspace, maximising the boundary-less nature (i.e. interaction across international boundaries) of interaction online.
I had attempted to moderate an online community of Filipino poets living both in the Philippines and overseas through a newspoetry style email list or egroup (through the Philippine Educational Theatre Association’s young writers group) since last year. Like many other egroups, it had contributions in the beginning which tapered off with time. haven’t dissolved the list, hoping that it may become useful later on; I moderate a similar egroup called Darwin News and it too suffers from periodic lacks of participation but one or two writers keep contributing to it so it stays open (I recently opened it up to other writers during the online workshop held at the NTU Digital Media Centre on 3 March 2001 so I hope more writers will keep it alive).
For the groups I wanted to work with, I avoided setting up a poetry mailing list or something outrightly artistic in the beginning as I was aware, having worked with them previously while I was based in the Philippines in 1996-98, that art was not high up on the everyday agendas of these groups. There was interest in the arts as a developmental tool but they have more pressing everyday tasks. I thought then that the technology or technologies for online community building should be attractive for their everyday use as well as provide avenues for artistic expression further down the road — blogs suited this criterion, so I proposed blogs to them. I particularly promoted Manila (hence the term “Manila site”), a web logging (blogging) technology developed by Userland in the USA, as I thought this style of blogging would suit their current needs but would also provide room for expansion later on. Both groups liked what they saw and I built blogs for them while I was in Manila.
Some information on the groups and the blogs we set up follow.
PRRM
The Philippine Rural Reconstruction Movement (PRRM) is the oldest development non-government organisation (NGO) in the Philippines. It was set up in 1952 to promote rural development using various approaches, the latest and most successful being the sustainable development model. The sustainable development model for rural reconstruction was introduced and developed in the mid- to late 1980s by Horacio Morales Jr, Isagani Serrano, and other left-wing development activists (Morales and Serrano were political prisoners under the Marcos regime).
I worked at PRRM as popular education specialist in 1997-98. Part of my work was to develop ways of deploying music, theatre, and the other arts for education and training among PRRM’s development workers and the community groups they worked with — these communities included fisherfolk, farmers, and indigenous people. One of my first assignments was to set up a rock and roll band (which still plays!) that would write and perform songs about issues surrounding sustainable development. I also presided over the reorientation of the popular education program into a community education program which included elements of cultural action as significant strategies. The idea of arts in a community education context was therefore not new but, as I gathered from my brief initial discussions with friends at PRRM, not very prominent on the agenda.
I worked mainly with friends and former colleagues in the Department of Advocacy, Research, and Technical Services (DARTS), my old department. They knew (vaguely) of what I had been doing this past year (I kept in email contact with them) and were also grappling with how the Internet can help with their work. The PRRM website has looked the same since 1998 and is not updated regularly, partly because the webmaster migrated to Canada last year and no one has been trained to continue this job. The DARTS workers were interested in using the web, mainly for advocacy, but had no skills or training in the area. They were familiar with email and browsing the net (and the Manager was on an inter-NGO egroup) but not much else. I showed them my blogs and talked a bit about some possibilities with blogging. We then organised a workshop where I could demonstrate the technology to the whole Department. At this workshop (in February), they agreed that a blog would be useful and we set it up. The blog is at http://prrmdarts.manilasites.com. The blog — rather its maintenance and growth — was also included in the department’s strategic plan.

The workshop, however, was very short and provided only an introduction to blogging using Manila. We did not have time to go into much detail or training on how to make the most of blogging. I banked on the workers’ enthusiasm for this new tool and their proven resourcefulness (which I had seen so many times while I was working there in the past) and hoped that they’d find their way around this thing sooner or later. After a month, the site’s still the same so I gather they have not done much with it. One of the DARTS workers did send me a message (with a promise to follow up with email) about “Internet things” so they probably have not forgotten about the blog (and other possibilities) but may be busy with other things, especially the coming national elections in May.

Of other Internet things, the band members at PRRM were also very interested in RocketNetwork, a virtual studio system that allows collaborators to work on songs together using MIDI and digital audio that is processed through free client software (Logic Rocket, a good simple sequencer) and a system of servers managed by RocketNetwork in the USA. They were keen to explore the possibilities of joint songwriting with me using this technology but we didn’t get the time to play around with it.

So while I am happy that I was able to introduce tools that could be very useful to PRRM, I regret not having enough time and resources to provide a bit more information and training. As with any technology, adoption takes time and effort. I will try to encourage and support — virtually at the moment — the use of the prrmdarts blog for their current needs as well as promote the arts-for-development approach using online technologies in the coming months. No guarantees that it will work but, as with other online community building technologies (including the really simple egroup), I’ve found that there must be moderators or persons looking after the process of exchange and regular usage. I need to find ways to do this remotely.
My personal interest in trying to get the blog, RocketNetwork, and other things happening is to provide ways with which I can continue to work with these friends and colleagues, eventually to make art with them, as an online community of workers (and community-based artists) interested in sustainable development and other issues of common concerns. I feel I belong to this community and as I live in Darwin, I wish to be more actively involved in this community even if mainly through the net.
KAKAMMPI
I also revisited old comrades at KAKAMMPI, a NGO dedicated to advancing the interests of Filipino migrants and their families. I had known KAKAMMPI since the early 1990s and have worked with its members on some projects in the Philippines and overseas since then. The leader of KAKAMMPI, Rene Raya, in fact worked with Filipino migrants in Australia for a time and maintains good contacts in Australia still. KAKAMMPI has members world-wide and services families of migrants left behind in the Philippines. A large part of their work is advocacy for legislation that benefits Filipino migrants and the provision of services such as facilitating legal assistance, a day care facility, information dissemination, and organising.

They also knew of what I was up to through our email exchanges, and they too were keen on cultural action although, again, this was not too prominent on their everyday task lists. As with PRRM, they wanted an Internet presence, especially as they have a global audience in a sense (there are more than three million Filipinos overseas). They have a web site, which a Dutch supporter built for them, but they didn’t know how to update it as none of them have tried webmastering before. They were considering hiring a webmaster but this would cost a lot in the Philippines. I described blogging to them as an alternative and highlighted the push-button character of web site maintenance (where you only need the browser to manage the site and where templates or themes provide a ready-made structure to accept their particular content. They were very keen on it and we set up their own blog one hot Thursday evening in February; their blog is at http://kakammpi.manilasites.com.
The blog will start out as a newsletter for KAKAMMPI members and friends; we agreed it would not be a strictly news-oriented publication and that creative expressions of migrants should be given space in the blog. They welcomed the possibilities for creative expression, particularly the recording of migrants’ stories.
Again, like the PRRM blog, I didn’t have much time to work with them on this blog, no time for looking at detail or training on using the blog. After a month after setting it up I checked and there were no updates to it yet. Same issues as with PRRM as far as moderation, support, and actual training is concerned. I’ve volunteered to edit the blog from Darwin (I am a card-bearing member based here anyway) initially and we agreed to talk about growing the blog with other Filipino migrants’ contributions later on. They too are busy with the coming national elections in May.
This is a community I feel I belong to naturally. being a Filipino migrant myself. I am also keen on growing this initiative because it can serve a global audience (of overseas Filipinos) and the possibilities for encouraging and publishing migrants’ artistic expressions (even if only through the sharing of their stories through the blog) are exciting. I must, as with PRRM, find a way to encourage and support this initiative using online technologies.
The Art Will Come
While I did not push for the blogs as artistic media for PRRM and KAKAMMPI at this initial stage, I believe the art will come eventually (or the blogs and other technologies will be used for creative community expression). They need, however, to see that these technologies are useful for their other needs too, so I have to assist them in running generalist blogs for now. But this approach is not not unique to virtual community arts; with some communities, we need to spend some time doing non-arts things to gain their confidence before even attempting to do arts projects. This is how organic or endogenous community arts are; artists also need to consider their community’s other needs.